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A Little Agency - Little Melissa Video7.wmv

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While Kenzi, Hale, and Dyson, are all living their lives, Bo is nowhere to be found. It's later realized that they simply forgot Bo, as someone was forcing them to. Massimo has been giving Kenzi temporary powers to appear Fae. Bo finally awakens to find herself on a train, and later jumps off. A group of Fae called the "Una Mens" are introduced. When she arrives home, it is discovered that while Bo herself did not consciously choose a side, her blood has chosen Dark. Tamsin is found reborn, as a little girl, and grows up with Kenzi as her pseudo-mom. Massimo steals from Bo and Kenzi in an attempt to convince Kenzi to pay him, and Bo figures out that he is not Fae, but human. He also kidnaps Tamsin to acquire her Valkyrie hair, and after being defeated by Bo, chases after the hair into a pit of lava, where at that point he is presumed to be dead. Many of Trick's secrets and past actions are revealed, including a tie to a past life of Tamsin's, and the fact that he used his blood to "erase" someone from existence. Tamsin discovers that by not taking the soul of a man named Rainer to Valhalla, she is part of the reason "The Wanderer" was created. Bo is able to get back on the train, where she finally meets Rainer, and brings him back to the Dal. Hale and Kenzi admit their feelings for each other. Lauren, who has been working with the Dark, somehow turns the Morrigan human. Kenzi's mother is introduced, and Hale attempts to propose. Massimo returns, and protecting Kenzi, Hale is killed. Kenzi tries to get revenge, but is stopped by Vex, who mentions that he is Massimo's guardian. Evony is revealed to be Massimo's mother, and gave him to Vex years ago when he was a boy. Bo learns that not only is her father coming, but that to close the portal, she will need to give her heart. That is revealed to be Kenzi, who sacrifices herself. It ends with Bo visiting Kenzi's grave.




A Little Agency - Little Melissa Video7.wmv



When Prodigy (our studio) asked me to create a show about some kind of bisexual superhero who uses sex as part of her arsenal, my first thought was "hell, yes!"...The challenge was to create a fun, sex-positive world that celebrates provocative cheesecake for everyone, without falling into base stereotypes or misogynistic (or misandristic) exploitation along the way...Bo has lots of sex, with men, women, humans, Fae, threesomes... and she's still our hero, still a good person worthy (and capable) of love, and that's a rare portrayal of female sexuality...It's also rare to have a female lead who is so honestly sexual, without judgment...I think the single element I will remain proudest of is just that we've been able to create and put out into the world a sex positive universe where a person's sexual orientation is unapologetically present and yet neither defines them as a character, nor the show as a whole...I felt it was crucial to also demonstrate that sex and romance aren't the only ways that Bo measures a relationship's worth, to give the show balance...Fans may have noticed that Kenzi clarified her hetero orientation at the end of ep 101...That line was necessary because...I was determined to protect their platonic-yet-epic BFF-ness, so I made sure it was written in as canon. Partly, this was to debunk the gay-panic cliche that bisexual people sexualize everyone, and are incapable of platonic friendship. But there was another, simpler and more personal reason: I think friendship is the fifth element...So, hidden in amongst all the romance and cleavage and threesomes, the Lost Girl Bo and Kenzi relationship is my own little love poem to all the BFFs out there who do it right.[7]


Episodes broadcast by Syfy in the United States have :90 seconds cut from their original 44:00 minutes to allow more time for commercial advertisements.[21] In Season 2, the decision to edit an emotive scene between Bo and Lauren from "Scream a Little Dream" created controversy among LGBT fans of the show, resulting in the network being accused of insensitivity and censorship. Lost Girl producers responded to the backlash by issuing a public statement on the show's Facebook page[156] explaining that the edits were done in-house, and not by Syfy, for "timing and not content." As noted by Dorothy Snarker writing for AfterEllen: "With so little representation of gay relationships on TV, every little touch matters."[157][158] After this experience, beginning with Season 3, the original opening title sequence accompanied by the Lost Girl Theme song was replaced with opening credits superimposed over footage of the first scene, sparing :30 seconds from being cut from the episodes for Syfy (U.S.). 2ff7e9595c


 
 
 

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